August 4, 2026
Paula Alí, one of the most recognizable faces of Cuban theater and television for more than sixty years, died on August 3, 2026, at the age of 88, according to an announcement from the Teatro El Público company that was later confirmed by the Cuban writers and artists union UNEAC. No cause of death has been made public.
Born on January 26, 1938, in the tobacco-growing town of Candelaria, in the province of Pinar del Río, Alí began her career in 1959 as a television model before moving into acting, first with Teatro Martí and later with the prestigious Teatro Estudio company, where she remained active for decades. In her later years she joined Teatro El Público, earning acclaim for her leading role in the classic drama "La Celestina," directed by Carlos Díaz.
Cuban audiences knew her best from television, where she appeared in telenovelas including "Enamorada del mar," "Las huérfanas de la Obrapía," "¡Oh, La Habana!" and, more recently, "Los hijos de Pandora." She was also a familiar comic presence on the long-running program "Punto G." Her film credits include "Guantanamera," "Lista de espera," "Nada" and "El cuerno de la abundancia."
Just weeks before her death, Alí had been honored with Cuba's National Television Prize for 2026, recognizing her more than six-decade career, though she was reportedly unable to receive the award in person. Colleagues and admirers have since paid tribute to her on social media, remembering her versatility across dramatic and comedic roles.
Arts, Actress, Society
She was born in the pine-region town of Candelaria, which she visits often, as her mother and siblings live there. For several decades, she has dedicated herself to acting, first at Teatro Martí, then at Compañía Teatro Estudio, where she performed in important productions directed by National Theater Prize winners: Berta Martínez (La casa de Bernarda Alba, 1970), Héctor Quintero (El Premio Flaco, 1972, La última carta de la baraja, 1973, Una mujer sola, 1989 and Te sigo esperando, 1990), Vicente Revuelta (Milanés, by Abelardo Estorino, 1977, and La señora Ana muestra sus medallas, 1979), Abelardo Estorino as author and director (Aire frío, 1980, Ni un sí, ni un no, 1982, Que el diablo te acompañe, 1983, and Morir del cuento, 1984), and Roberto Blanco (Yerma, by García Lorca, 1999). Similarly, she has been directed by the experienced Armando Suárez del Villar (Santa Camila de la Habana Vieja, by José R.
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